My Precious Research Part Two - Walter's Dirty Laundry

The saboteurs continue with their idiotic malicious fooling and their parody excuse. Thankyou for not going over there. Nobody does anymore and nobody comments. Their stats have drindled to nothing. Nobody pays them any attention.

The horrific shocking malicious libel stalker blogg is making cruel fun of my precious research. But they make the cardinal error, that shows that they have no research skills atall by NEVER producing any evidence to back up their preposterous and foolish claims, libels and lies. I produce abundant proof of everything. This blogg is the true serious research blogg and that is an undeniable fact.


This is the proof that No 21 was a library and tobacconist. The Jack the Ripper victims were delivering letters addressed to Mary Kelly on the Prince's behalf on the night they died. They'd anticipated a middleman ( who'd take the letter on to the little tobacconist's 'Kelly's Library' at Cleveland Street) who turned out to be a Special Branch assassin.

The women letter deliverers, 'couriers', or 'middlemen', if you want to call them by names Littlechild applied-who fetched and carried letters on behalf of the Prince and his lover Mary Kelly-were carefully chosen by Catharine 'Kitty' Eddowes, central canonical Jack the Ripper victim. She knew the back street women like the back of her hand. She was the central courrier for the Prince. She'd often leave messages for Mary Kelly in the Evening Standard such as 'A Letter awaits you, Kelly's Library. Kittie.' Catharine Eddowes passed for 'Catharine Kelly' in the East End of London. Thus, the little tobacconist's that doubled as a secret informal post office was nicknamed: 'Kelly's Library'.

The proof is a reference to Kelly's library in the Evening Standard on October 5th, clearly referring to Catherine Eddows, who was murdered by Special Branch before this date.

That should be clear enough for the most dunderheaded donkey dunce to follow.

Walter Sickert left us a sketch of Kelly' Library, 21 Cleveland Street. His picture captures one of 21 Cleveland Street's visiting gents in the process of collecting his letter and the 'behind the counter' shop assistant Annie Crook, carefully overseeing the transaction.

There's no evidence to back up this claim that the drawing is of Cleveland Street, but, thanks to my special research skills, I have eliminated all other buildings as possibilities, leaving us with the clearest proof that this drawing is definitely of Cleveland Street, specifically the tobacconist at No 21. It is also equally obvious that the woman pictured in the sketch can only be Annie Crook.

The picture looks like a woman collecting laundry, but this just shows how clever Walter Sickert was. By using secret codes that only I can discover, he draws a woman to cleverly hide the fact that he is really meaning a man. By carefully leaving out all references to a tobacconist in the drawing he is showing a secret sign that he knows the shop isn't a laundry but a tobacconist. Clever or what!


Were this picture transferred to broadsheet canvas, the complete painting would have two titles, in typical Sickert style.

Presumably, he considered it too risky to exhibit the sketch-picture, which clearly denotes a gentleman’s 'Informal Post Office' and a Cleveland Street shop front. Were it ever painted up and the final painting gallery exhibited, he might have had the first gallery painting title down as ‘Write me a letter'( after the music hall song), or suchlike-and the second title down as ‘The laundry.’

Bonnie Prince Charlie typically derived from the basic reference to ‘laundry’ used by suppressed Catholics throughout England in the seventeenth and eighteenth centuries, who used laundry items to communicate hidden messages. Catholic manor houses would display laundry in the garden arranged in a way that constituted a sign to other Catholics that ( for example) a priest was hiding within and it was time for Mass, or typically, (since confederate rebels are less likely to make time for sermons as the historian assumes) that a Jacobite Catholic was within and needed to communicate information. Other villagers would simply see a row of garments fluttering in the wind, and pass by. This proves that all laundrys are tobacconists and post offices.

This also proves that Walter Sickert was a Catholic.

The women letter deliverers, 'couriers', 'middlemen', if you want to call them by names Littlechild applied-were carefully chosen by Catharine 'Kitty' Eddowes, central canonical Jack the Ripper victim. She knew the back street women like the back of her hand. One of the Jack the Ripper letters identifies the Jack the Ripper victims as 'Mrs. Barratt's girls'- and we know that 'Mrs. Barratt' is the title of one of Walter Sickert's portaits of catharine Eddowes/Kelly. Before she betrayed him by siding with the young Prince and his friends, Kitty spied for Chief John Littlechild in the East End of London, spying on Fenian activity. Att the same time, it's apparent that she would oversee the secret letter arrangement, 'Kelly's Library'. Hence, the name of the secret letter delivery arrangement: Catharine Eddowes passed for 'Catharine Kelly' in the East End of London. Thus, the little tobacconist's that doubled as a secret informal post office was called: 'Kelly's Library'. Catharine Eddowes/Kelly would also street pedal books and music and it's very likely that letters were hidden in the books she carried, at times.

There appears, to the inferior researcher, abundant evidence that rogueish gentlemen used their own retainers to pass messages and arrange assignations, but I know this is worthless. A real gentleman would only entrust such delecate corresponcence to a prostitute they didn't know, rather than a trusted servant. This is obvious.

I will shorlty go into these basics at some length in a brief research synopsis which is clearly called for at this time. I trust though, that this is sufficiently clear for the time being, even for the dunce element ;-)